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c. 1445 – May 17, 1510. Italian painter.

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John William Waterhouse
Beatrice

ID: 75763

John William Waterhouse Beatrice
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John William Waterhouse Beatrice


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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.  Related Paintings of John William Waterhouse :. | Sleep and his Half-Brother | Nino William Physick | Marianne Leaving the Judgment Seat of Herod | Study:Maiidens picking Flowers by a Stream (mk41) | Miranda - The Tempest |
Related Artists:
Barend van Orley
Brussels ca 1488-1541
Frans Snyders
Belgian 1579-1657 Frans Snyders Gallery Frans Snyders (1579 - 1657), or Snijders, was a Flemish painter of animals and still life. Snyders was born and died at Antwerp. He is recorded as a student of Pieter Brueghel the Younger in 1593, and subsequently received instruction from Hendrick van Balen, the first master of Van Dyck. He was a friend of Van Dyck who painted Snyders and his wife more than once (Frick Collection, Kassel etc). He became a master of the Antwerp painters guild in 1602. He visited Italy in 1608-9, visiting Rome, and working for Cardinal Borromeo in Milan. In 1611 he married Margaretha, the sister of Cornelis de Vos and Paul de Vos (another animal painter), in Antwerp. Jan Fyt was a student, and then assistant of his from 1629. Snyders initially devoted himself to painting flowers, fruit and subjects of still life, but later turned to painting animals, and executed with the greatest skill and spirit hunting pieces and combats of wild animals. He was one of the earliest specialist animaliers. Snyders and his wife, by Van Dyck, KasselHis composition is rich and varied, his drawing correct and vigorous, his touch bold and thoroughly expressive of the different textures of furs and skins. His excellence in this department excited the admiration of Rubens, who frequently employed him to paint animals, fruit and still life in his own pictures, and he assisted Jacob Jordaens, Thomas Willeboirts Bosschaert and other artists in a similar manner. In the lion and boar hunts which bear the name of Snyders the hand of Rubens sometimes appears. He was one of the executors of Rubens's will. He was appointed principal painter to the Archduke Albert of Austria, governor of the Low Countries, for whom he executed some of his finest works. One of these, a Stag-Hunt was presented to Philip III of Spain, who together with his successor Philip IV of Spain, commissioned the artist to paint several subjects of the chase, which are still preserved in Spain. He also worked for Archduke Leopold Wilhelm of Austria, when he became Governor.
Hans Hartig
painted Im Hafen von Neuwarp in 1918






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